The Last Image: Photography and Death Textielmuseum Swedish conceptual artist Patrik Karlström

Swedish conceptual artist Patrik Karlström has surveyed the generic world of corporate imagery

Created in parallel with the volume Firenze 1977 it takes a position of ideal continuity with the essay by Paolo Emilio Antognoli Viti

Aleksei Kazantsev

historical

that provokes the reader and viewer to question the meaning of a story

The Last Image: Photography and Death Textielmuseum Swedish conceptual artist Patrik KarlströmImages, films and books about death tap into our deepest fears about the finiteness of existence. Photography is not the first medium to have been used to avert death, yet since its invention, no other medium has grappled with the subject in quite the same way, harnessing visual strategies and technologies. Much of this has to do with photographys unique characteristics: photographs are seen as cutting across both space and time to capture a moment