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A Decorative Pair of Very Large Gilt-Framed Engravings; Charles W. Sharpe after Daniel Maclise ‘The Death of Nelson at the Battle of Trafalgar’ published 1876 by Art Union of London and ‘Wellington and Blucher’, by Lumb Stocks sub-Curios This is quite a large

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A Decorative Pair of Very Large Gilt-Framed Engravings; Charles W. Sharpe after Daniel Maclise ‘The Death of Nelson at the Battle of Trafalgar’ published 1876 by Art Union of London and ‘Wellington and Blucher’, by Lumb Stocks sub-Curios This is quite a largeOrigin: English Period: Mid Victorian Provenance: Unknown Date: c. 1876 The Engravings: 47. 5 x 16. 25 The Wholes: 53 x 21. 25 The very large pair of line engravings of a military theme, in their original gilt and gesso frames with nineteenth century glass, published by The Art Union in 1876, after the 1868 original wall paintings by Daniel Maclise in the Royal Gallery at the Palace of Westminster. The engravings are in very decorative and unrestored

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Description

This is quite a large figure

often working out of booths at fairs or markets

Date: The Contents & the Whole c

The name "fede" comes from the Italian phrase mani in fede or

tapering reeded and substantially well turned legs and double central stretchers

A Decorative Pair of Very Large Gilt-Framed Engravings; Charles W. Sharpe after Daniel Maclise ‘The Death of Nelson at the Battle of Trafalgar’ published 1876 by Art Union of London and ‘Wellington and Blucher’, by Lumb Stocks sub-Curios This is quite a largeOrigin: English Period: Mid Victorian Provenance: Unknown Date: c. 1876 The Engravings: 47. 5 x 16. 25 The Wholes: 53 x 21. 25 The very large pair of line engravings of a military theme, in their original gilt and gesso frames with nineteenth century glass, published by The Art Union in 1876, after the 1868 original wall paintings by Daniel Maclise in the Royal Gallery at the Palace of Westminster. The engravings are in very decorative and unrestored

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