You Strike a Woman, You Strike a Rock / Wathint’ Abafazi, Wathint’ Imbokotho Fearghal McGarry Turner and Winslow Homer

Turner and Winslow Homer

and philosophical dimensions of political legitimacy

It shows how Latino Mormons have developed ethnoreligious barrios (communities) to function as sacred ethnic collectives where their religious beliefs and cultural practices can intersect

Two men may love her—or love who they think she is

From the Plan of 1811

You Strike a Woman, You Strike a Rock / Wathint’ Abafazi, Wathint’ Imbokotho Fearghal McGarry Turner and Winslow HomerYou Strike a Woman, You Strike a Rock Wathint Abafazi, Wathint Imbokotho is a bristling example of protest theatre making during the height of apartheid. Created in ensemble fashion in 1986 by director Phyllis Klotz in collaboration with performers Thobeka Maqhutyana, Nomvula Qosha and Poppy Tsira, this play stands as a contemporary South African classic. The play focuses on three central characters: Sdudla, Mambhele and Mampompo living and working in