Deep Space NO.78 Odundo’s artworks are redolent of

Odundo’s artworks are redolent of the human body in a way that reminds the viewer strongly of the inherent connections between the simple vessel form and the concept of the body as a vessel…The universality of her formal language has been deepened by her formal references to classical forms from ancient cultures all over the world

The disruption of human life and destruction of plant life are indicated by hearts and colorful plants tossed about in the sky

From the bebop-fueled improvisation of 1940s Harlem jazz clubs

They are much like treesand leave behind the mark of man’s intervention on nature

Pogach (1929 -1996) was a Philadelphia-based painter

Deep Space NO.78 Odundo’s artworks are redolent ofIn James Brantley's Deep Space, 2006, spherical shapessome of which are legible as hot air balloons while others appear to be planets and striped beachballsshare an all enveloping dark blue expanse that could be perceived variously (depending on the dramatically differing contexts proposed by the differing types of spheres) as sky, the "deep space" of the title, or even water (a striped beachball appears to cause a splash). At the bottom center of the