Say So George Weld it was to be part

it was to be part of the spectacle of neoliberal capitalism in which image is all

calamity and the absurdity of war are recorded extensively within The Archive of Modern Conflict

using technicolour soft pastel to imbue his portraits

She encouraged a wide range of people – school children

Wolukau-Wanambwa analyses the image’s relationship to the urgent and complex questions that define our era

Say So George Weld it was to be partSay So brings together American artist Whitney Hubbs recent self portraits, which were taken in the style of cheap, lewd pornographic pin ups. After her acclaimed book Woman in Motion in which she photographed models, Say So continues her quest to explore and challenge the relationship between the camera and the female body. In it, she uses and abuses her own body to revealing effect in masochistic (BDSM) performances that are made at the intersection