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Blue Print for a Spirit House Virtue Triumphs (When the Devil Sleeps) I Odundo’s artworks are redolent of

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Blue Print for a Spirit House Virtue Triumphs (When the Devil Sleeps) I Odundo’s artworks are redolent ofFrom the Artist I really began by learning to draw (self taught) as a teenager. I learned to paint in my 20s with some classes at Northwestern University, while getting my degree in political science. Living in New York City in the mid 80s introduced me to found objects discarded on the street, which became sculpture in my studio. After I received my MFA in sculpture from SUNY Albany in 1988, I started drawing people and then painting landscapes. In

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Description

Odundo’s artworks are redolent of the human body in a way that reminds the viewer strongly of the inherent connections between the simple vessel form and the concept of the body as a vessel…The universality of her formal language has been deepened by her formal references to classical forms from ancient cultures all over the world

I have an increased understanding of the interplay of the properties of color texture and form

Perhaps my platforms could be seen as starting points

The birds in my work are a vision from my dream world which I consciously decided to represent the conflict in our environment between nature and man's tools of destruction

like small children

Blue Print for a Spirit House Virtue Triumphs (When the Devil Sleeps) I Odundo’s artworks are redolent ofFrom the Artist I really began by learning to draw (self taught) as a teenager. I learned to paint in my 20s with some classes at Northwestern University, while getting my degree in political science. Living in New York City in the mid 80s introduced me to found objects discarded on the street, which became sculpture in my studio. After I received my MFA in sculpture from SUNY Albany in 1988, I started drawing people and then painting landscapes. In

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