Blues for the Birds South American cradling a dead child

cradling a dead child

It belies the idea of a two-dimensional view of traditional Asian American assimilation andchallenges the notion of art by an artist of color

drawing material(s) on paper or fresco on damp plaster walls

The image was new in that it incorporated magic and mystery and suggested the relationship between man and animal

metal foils

Blues for the Birds South American cradling a dead childFrom the Artist Most of my works are supported by memories and suggested realities. Issues of social politics are presented with fragmented elements of "real life"collaged and collapsed, as dreams are prone to do. If connections are made, all the better. Life should remind us of our dreams. From Brandywine Workshop and Archives records