MIHAI BARABANCEA: FALLING ON BLADES VLADYSLAV KRASNOSHCHOK he carves a silent path

he carves a silent path through the city

with a waterproof camera (‘Bukubuku’) or in pairs (‘Berobero’) touching tongues

Avedon’s large-format portraits capture miners

living in the familiar liminal space where man-made and natural meet and overlap

rolls of film

MIHAI BARABANCEA: FALLING ON BLADES VLADYSLAV KRASNOSHCHOK he carves a silent pathABOUT: IT DOESNT ALWAYS KILL YOU, BUT IT ALWAYS HURTS. AND STILL YOUVE GOT TO [] KEEP GOING. I FIND THIS ABILITY TO ROLL WITH THE PUNCHES, TO TAKE THE PAIN AND ADAPT TO CIRCUMSTANCES, IN MY SUBJECTS: GYPSIES, BEGGARS, CROOKS, VAGABONDS, UNDERDOGS, CONMEN, BUSKERS AND VARIOUS SHADY CHARACTERS IN ROMANIA AND MOLDOVA. MY OBJECT IS NOT TO EXPLOIT PROBLEM RIDDEN POST COMMUNIST ROMANIA FOR VOYEURISTIC PURPOSES. IM NOT AN INDIFFERENT OBSERVER, BUT ONE WHO