Come to Me fetch casting dappled light on its

casting dappled light on its striking features

The original painting sparked my interest in trying figurative work

This Hill is Dangerous layers paint

5 centimetres across to 2 centimetres down

Please note that the styled scene

Come to Me fetch casting dappled light on itsA nude appears within a dreamlike rainforest, her presence hovering between emergence and immersion. Rendered through saturated acrylic foliage and pale violet flesh tones refined in oil, the figure presses forward from the water, both connected to and estranged from her surroundings. The contrast between vivid colour and softened form creates a sense of suspension, as though the body occupies a threshold between material presence and apparition.